This is an important question that I will explore in this blog. To start, let’s consider the money that a filmmaker makes when making their movie. In the film industry, the budget per movie is in fact not a set amount the producer can spend on a movie. The only amount that the film studio can spend is the amount they can pay to the producers to make the film. If they can’t afford this they are expected to rely on the financiers to give them money, so this is one of the main sources of funding for a film. I’ll say, that is not a good situation and should be changed, so I will look on what a filmmaker can actually make when they make their movie. If they can’t afford to make enough, they can make their movie with a budget that is less than what the studio can pay, so it’s basically this:
$15,000 – $20,000
If the director wants to make more than $20,000 they are free to make their movie in cheaper versions, but they won’t be allowed to make money that can be used to pay for other projects (as we mentioned above their production budget). This doesn’t mean that they have to make a low budget version of their movie (because that is just a form of cheating, that is the only way not to make any money) they just have to make a minimum of $20,000 to make a movie. This means that this is a level of budget that every producer can afford.
$10,000 – $15,000
There are many different things that a filmmaker can do to make a film more expensive. Some people will use more expensive editing (and editing fees can be up to 50% of the budget). Some people will make cheaper versions of their films so that they can make money with a smaller budget (or they will just buy a home film from the distributors and spend their money on the actual film). There is also the use of different crew, cameras, and all that they make for the film to be able to make it more expensive.
$5,000 – $10,000
There is one of the basic sources of funding that a director can get. That is the distribution of their film. Most people think that distribution and marketing are related, but they are not. Distribution is what the distributors are in fact responsible for. These distributors are not the publishers, the distributors are essentially a public relations company. Some distribution companies may have some