The minimum and maximum salary for film journalists varies widely, depending on their experience.
The minimum salary of a full-time movie writer is $85,000, but an experienced film media producer may earn between $100,000 and $150,000. In the film industry, an independent filmmaker may earn more based on experience.
The minimum compensation of an associate producer is $37,000 per year or $150,000 for a year in a full time position. Associate producers also receive a bonus for their work each year. They also earn a $25,000 commission per month.
To begin production with a film journalist, prospective editors must spend a minimum of two years developing their skills and getting access to the creative team. They also work as assistants in order to build industry relations.
As an assistant working full or part time, the assistant editor will usually work on the editorial team and may get to use their first-hand knowledge and skills. They must also demonstrate their passion for the job through the work they deliver.
A full-time assistant editor who works for a large production company may make up to $70,000 per year, based on the number of hours the assistant editor worked.
An assistant editor’s basic responsibility, as in film, is to produce and edit as much content as possible. This includes everything from the film’s storyboard to casting calls for supporting characters and sound effects.
An assistant editor also often receives the opportunity to be considered for the main feature.
An associate producer must produce the initial story, or have the first script cut to fit in with the film’s production schedule.
For instance, an assistant producer must assist the editor with storyboard art and animation during the first few weeks of the film. They must also be responsible for providing continuity for the editor throughout his or her career, so the assistant producer is often viewed as the creative force on set.
Associate editors should not be considered as the sole producer because there are often more than one individual working as a single producer. Most often, a writer or director will work as either an editor or associate producer.
Is a film industry associate editor worth $100,000 a year?
“If you’ve got a big star, a big budget and a lot of ambition, as far as paying your associate editors like myself, and then the director of photography and a great cinematographer, there’s a lot of different opportunities available.
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