What’s the secret formula? Why are we all such fools? The answers are all here – and in more detail than is possible at the moment, of course!
This was the first article we ever published in The Art of Film Style, and was subsequently rewritten in response to numerous questions by many talented people on Reddit.com from around the world. Our aim is to bring you as much detail as possible, in the hope that you can get the most out of your trip to the film festival this weekend. In addition to that, we have also received several new questions, ranging from what kind of clothes to wear, which type of coffee you should drink, and a number of other questions.
All the answers are below, so you’ve got all the information you need. If you think you already know some of the answers, then please don’t hesitate to ask the author on the Reddit discussion page.
In short, if you were asked to choose a favourite film, you will most likely answer Tarantino’s Reservoir Dogs. You will also have to be happy with any other film you saw in a festival setting.
1. Which is the funniest Tarantino film ever made?
It all depends on the audience. For me The Hateful Eight is by far my favourite movie. For others I think Pulp Fiction by Quentin’s is the best Tarantino, followed very closely by Jackie Brown and Inglourious Basterds. Tarantino is the kind of filmmaker that can make even an ordinary person understand the absurd.
2. Which is the most Tarantino of Tarantino films?
In general, there are some pretty good ones. I don’t want to spoil any of them, but in general I think the film The Hateful Eight is the best Tarantino because it has the most Tarantino style – it’s not one of the usual Tarantino films, but instead it’s quite different from the typical Tarantino style. Pulp Fiction has quite a few different elements, but in general I think The Hateful Eight is the best of the film.
3. Where does Tarantino draw from for inspiration?
Tarantino is an extremely self-taught filmmaker, although he’s definitely not an amateur by any means either. He’s definitely a perfectionist with his own tastes and styles, and a very careful observer. He is a master of storytelling and editing, as well as in using the audience’s imagination. The film is an allegory for
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