[Laughs] I’m gonna go ahead and throw my hands up when people say, “It looks like an audience member is talking.”
Do you like doing that? Because if this is supposed to be a comedy show, it has to be, like, hilarious all the time.
And I think that everybody who knows the work and understands it and knows the character would say, “You know what? This is great. This is great.” There’s a little bit where you have a moment where you’re on the subway and there’s the puppet and you’re just like, “Oh, I remember that scene where it’s that moment right after that. I was still like, ‘Oh my god, I didn’t see that coming.'” And I was really happy with the way I did it. I was like, “That was a bit of an easy moment to get there. Because you have a character like me and I was like this is a scene that will be repeated over and over again.” But I think you have to have that spontaneity to really really do it.
The most annoying one, I have to say, was when I was driving. I had the car on the way home and it’s like, ‘No, we’re not doing this scene. We’re just going to stop.’ And I’m like, “You know, I just know I feel like, right here, right now.” And he’s like, “I think you should get a good look.” And I think, “Oh well. I’ll just do this.”
I think you just wanted to walk away.
Yeah. I wanted it to end on the train stop at a point where it didn’t feel forced. I wanted it to be a moment in the middle of all of this that was just me being myself.
If you can’t keep your eyes straight, you’ll have a nightmare.
[Laughs] Yeah. That’s why when that happens, you always feel like, “Well, I can see him, but there’s a point where it just becomes weird and I can see the train wreck, but there’s a part where I can’t.” Like, he has to have that car, so that’s something I think we really got back to, and it’s good.
I think it is good because of where we ended the third season. I think it was just a weird, dark place to end it. But I think this season,
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